Showing posts with label Dan Moloney. Show all posts
Showing posts with label Dan Moloney. Show all posts

Monday, 12 February 2018

FCP/ATTACK! WrestleHouse '18 [Live] Review // 26th January 2018


It was the first time inside Starworks Warehouse this year and we had the sequel to last year's classic WrestleHouse show, that saw two BritWres favourite Fight Club: PRO and ATTACK! Pro Wrestling come together for a WrestleBration of epic proportions. The show featured the first TeamHouse Elimination Situation match as it's main event, as Mark Haskins, FCP Champion Chris Brookes, Jordan Devlin, Chief Deputy Dunne & Dan Moloney took on Trent Seven, Travis Banks, MK McKinnan, Clint Margera & Millie McKenzie, as well as a rematch between WWN star Keith Lee and Infinity Trophy winner Omari and a tag team clash with Aussie Open's Mark Davis & Kyle Fletcher facing Team SPLX members Zack Sabre Jr. and Angelico. WrestleHouse '18 had a lot to live up to, but was it up to the task?  


Photo Credit // The Ringside Perspective // Facebook // Twitter // Instagram // Big Cartel

Fight Club: Pro // Big Cartel // Website // Twitter // Facebook // Vimeo

Attack Pro Wrestling // Big Cartel // Twitter // Facebook // Vimeo

Before we get into the wrestling content, lets talk about the changes made at Starworks for the show. Firstly, it was fucking freezing. I'm not entirely sure why, but there appeared to be a big hole in the far wall. An industrial heater placed in the corner of the room did little to combat this and indeed only seemed to heat the few feet immediately in front of it. It felt like this effected the atmosphere somewhat as the crowd was definitely more subdued than previous events, especially during the opener and stretches of the main event. Other minor issues included moving the food stall parallel the bar, meaning the queue stretched to in front of the merch table. Starworks taking over the running of the bar also seemed to create longer and slower moving queues for drinks. I don't know what happened, but not only did it make it harder to buy beverage (with prices also soaring - £2.50 for a can of Red Bull?), but also to move around the venue in general.  


TeamHouse Elimination Situation Match // Mark Haskins & Chris Brookes & Jordan Devlin & Chief Deputy Dunne & Dan Moloney def. Trent Seven & Travis Banks & MK McKinnan & Clint Margera & Millie McKenzie 



Where to begin with the lengthy main event? There was an awful lot going on in the first ever TeamHouse Elimination Situation match and I'll get into what worked and what didn't work for me in a moment. Firstly, lets talk about the team and some of that Stupid Sexy stuff that's been sweeping through ATTACK! like the sexiest plague you ever did see. Beyond the captains of Travis Banks and FCP Champion Chris Brookes, there was nothing known of who they'd chosen to be on their teams before they headed out. Haskins being on Brookes' team was a surprise, because to my knowledge he'd been a babyface beforehand in FCP, however the little story with the former PROGRESS World Champion initially appearing uncomfortable teaming with the likes of Dan Moloney, before becoming a viciously integral part of Team Brookes was one of the stronger parts of the match for me. Chief Deputy Dunne working double duty was also a strange move. Whether this was the initial plan or not I'm not sure, but if you pushed me I'd lean closer towards the latter. Banks' team read like a Then...Now...Forever of Fight Club: PRO, featuring four former champions. It was great to have MK McKinnnan back with us once again and when given the opportunity he showed glimpses of what had made him a highly touted prospect before his hiatus, highlighted by a nice sequence with Jordan Devlin. 

Lets delve into discussion of the match, by looking at the positives. Obviously, the booking of Millie McKenzie in the match was a major plus point (as has been since McKenzie debuted in FCP last June) but I want to focus a little more on that and the finish a little further down. So instead lets begin at the begin, the wild and crazy brawl around ringside, that erupted as Team Banks had made their Stupid Sexy reappearance. Thankfully (and selfishly), the majority of action was kept to around the ring, as this meant that from my front row vantage point I didn't miss much at all, as has been the case when FCP multi-mans start roaming the entire Warehouse. All ten wrestlers scrapping and chopping and striking each other with good intensity was a great way to start the match and made use of the sheer amount of bodies available. How often do you get ten performers in the same match in the UK? Kid Lykos mirroring Chris Brookes' actions at ringside, like if Damien Mizdow had been a damn dirty Wolf, was highlight of the short face-in-peril situation, before a Travis Banks hot tag sent the match into chaos once more. Multiple corner cannonballs, a spectacular four-way Coast to Coast and multiple dives to the outside were capped off by Clint Margera climbing a ladder inside the ring and leaping off over the barricade and onto the multiple bodies below.

That's enough being nice for now, because as much as I love praising FCP there were a few issues with the main event for me. Firstly, the cold crowd was absolutely knackered by the time this match started, which was equal parts the temperature in the room, a lengthy interval causing the match to go on super late even for Fight Club and the draining nature of Keith Lee vs. Omari. This meant that parts of the match played out in front of what I'd refer to as a subdued audience, not exactly silent, but not exactly what you'd expect from a record FCP crowd during a main event either. For me, this wasn't helped by the general lack of story heading into the match. In December, we'd seen Banks tag with Chris Brookes, but in June we'd seen Brookes cheat Banks out of the FCP title. For me, these big matches work best when there's a grudge between the two teams or a reason that they're fighting and whilst the majority of the characters involved are well-defined, it was difficult to be fully invested without a burning issue. Alongside this, I wasn't a massive fan of how the match was structured either, with a flurry of eliminations coming in a block, meaning that those exits felt unimportant and in fact, inconsequential. Coming soon after a series of one in one out finishers that saw everyone get involved didn't help the elimination stretch, that saw Moloney, McKinnan, Dunne, Margera and Devlin exit the match. 

So, lets get back to Millie McKenzie, shall we? Her story throughout the match was the strongest part of the contest. From her early hot tag and german suplex festival, to a stretch as face-in-peril, her narrative heated up following the aforementioned dive sequence. It was difficult to get a full view of the spot, as it was on the opposite side of the ring from where I was, but Brookes gave McKenzie an neckbreaker off the barricade and onto the hard concrete floor. From my vantage point the spot looked nasty and I certainly wouldn't want to fall onto the solid Starworks floor. McKenzie was helped to the back by staff, with little details like Trent Seven disappearing backstage for a while adding to the angle. The crowd gave McKenzie a rousing applause upon her exit, but following Travis Banks departure at the hands of Brookes, the fans loudly called for Millie to return, because this is wrestling and we like to think we know how it works. Out came McKenzie, selling like a boss, for a gutsy underdog scrap with Brookes, taking everything that the Champion had to offer but continuing to stay in the match. The finish would see PROGRESS' Jinny make her FCP debut, costing Millie the match just when it appeared that McKenzie was going to able to do the impossible. It was a cool way to start introduce a new character and begin a proper feud in FCP and also allowed Brookes to walk out as the last person standing and make up a little for the fact that he didn't defend the championship once again.


Keith Lee def. Omari // Pinfall




Opening sentence mentioning difficult second albums. Follow up sentence listing second albums that improved upon the original. Third sentence discussing a comparison between second albums and Keith Lee and Omari's second match in Fight Club: Pro. You get the picture. The original clash between Lee and Omari at International Tekkers Part 1 last July was an incredible match, with a result that no one saw coming, but in my opinion the second clash topped it. Yes, it didn't have the massive shock surprise finish, with Omari going from strength to strength since July, including winning the Infinity Trophy in December, but here was a richer match, with a deeper story, featuring opportunities for call backs, awe-inspiring highspots and some of the most painful sounding strikes Starworks has ever witnessed. It was fucking glorious stuff, it really was. 

The best match of the night had the crowd in the palm of the performers hands, with the two often taking their time to tell the story right and knowing when to speed up at the right moments. Special shoutout to the "Ooooh, bask in Omari" chant because it was brilliant. The repeated strikes sequence with Omari trying to keep up with Lee and getting the fuck beaten into him, selling his beating and returning for more. If anyone in the crowd hadn't already been won over by Omari's fighting spirit, then this would've done it. The tilt towards the finish was balls out ridiculous. From Lee's super silly one handed chokeslam to the pair of one counts for both men to the call back to the finish of their first match to Omari hitting a German suplex with Lee positioned on the middle rope, the final third of the match was utterly bonkers. Oh yeah, they did a top rope Spanish Fly as well, because why the fuck not? Lee has no business taking Spanish flys, but I'm not going to tell him that. There'd been so much going on and Starworks was rocking, that it almost felt like an anti-climax when Lee managed to vanquish the Infinity winner with Ground Zero. To be honest, I was just glad to be able to get my breath back! 

Following the match, Lee got on the microphone, letting Omari know that he originally believed the result of their first encounter was a fluke, but after the rematch he'd changed his mind. Lee then challenge Omari to a rubber match at some point in the future, before requesting that Omari's Infinity Trophy and therefore FCP title shot would be on the line. Oh yes, please and thank you, sir. The first two matches between this pairing have been electric, mixing storytelling and indie madness with the emotional connection between the up and comer from Birmingham and the Wolverhampton audience. The third clash between the two will have an awful lot to live up to, but even more opportunities to develop narrative and push the envelope even further. If you've missed the first two, treat yourself to 


Kyle Fletcher & Mark Davis def. Zack Sabre Jr. & Angelico // Pinfall 




Aussie Open picked up their first win in FCP, as they picked up a big victory over the first time pairing of Zack Sabre Jr. and Angelico, with Fletcher pinning ZSJ after Davis hit Close Your Eyes and Count to Fuck, following a very good tag team match. The contest was put together splendidly, with Davis and ZSJ and then Fletcher and Angelico working two lovely and very different sequences to kick things off, with a split crowd finding it hard to pick between the Aussie regulars and the international SPLX sponsored tandem. This changed pretty quickly when ZSJ starting pulling out some of that vicious technical bastardry that's he's become quite fond lately. Nasty looking holds, stomping and a little illegal use of the ropes kept Sabre and Angelico in control of Fletcher, with Davis getting crashed off the apron at any point it seemed like the Aussie Arrow was about to make a comeback. Whilst a portion of the crowd stuck with the scientific wankers, there was definitely a ground swell of support for Davis & Fletcher and even a good deal of heat for Team SPLX. I really get a kick out of this side of ZSJ and it's always a pleasure to boo him when he's doing his methodical arsehole routine, whilst Fletcher is a delight when fighting underneath because he sells using his entire body.


Once the hot tag was made the rest of the match featured some very good near falls for both teams, whilst Davis, knackered from constantly being knocked off the apron, looked to nail his Close Your Eyes and Count to Fuck piledriver. This resulted in a wonderful exchange where Sabre Jr. was able to escape the piledriver attempt and lock in an arm bar instead, which was slickly done and set up the finish for later on. The near falls included a lovely sequence where Fletcher fired up after Sabre started slapping the fuck out of his face, only for Angelico to come sweeping in after a Michonoku Driver to pick up a strong near fall off a crucifix bucklebomb, as well as Aussie Open's Fidget Spinner. With Aussie Open finally able to isolate Sabre, they were able to get revenge for his rapscallion-esque behaviour with a superkick from Fletcher and the aforementioned CYEACTF (say it) sealing their first win in the promotion. With the Dream Tag Team Invitational just around the corner, Davis & Fletcher have to be considered amongst the favourites to take the crown, mostly because three Aussie Open matches across a weekend would be best for everyone. 


ATTACK! Tag Team Championships // Lloyd Katt & Split McPins (C) def. Chief Deputy Dunne & Los Super Santos Federales Jr. and Martina & The Love Making Demon and Drew Parker & ELIJAH // Pinfall



On an event that felt nowhere near as ATTACKy as last year's show, we did get to see the ATTACK Tag Team titles defend as Lloyd Katt & Splits McPins of Bowl-A-Rama made their fifth successful defence of the belts in a Four-way clash also involving The Anti-Fun Police's Chief Deputy Dunne & Los Super Santos Federales Jr, the newly formed Session Mouse duo of "Session Moth" Martina & The Love Making Demon and x Nothing to Prove x's Drew Parker & ELIJAH in a fun, yet occasionally rushed opener. The match was mostly comedy antics, based around a couple of character interactions and Santos saying things in his weird Spanish/Welsh hybrid accent. The highlight came from a wonderful bowling sequence, where Katt & Pinns fired bowling balls into the waiting crotches of their opponents seated in the corner, only for Martina to begin begging for the ball to be lobbed betwixt her legs, because she's mad into that bowling life. The finish was also well done with a flurry of action before Bowl-a-Rama picked up the pin on former ATTACK! Champion Dunne with More Bowl for Your Buck. 

However, the match wasn't without it's problems. The biggest of these for me was the crowd didn't seem all that aware of a number of the characters involved. Perhaps it was the cold, but the boisterous atmosphere that one would've expected for such a match in ATTACK!, especially when it comes to the popular Bowl-A-Rama tandem, just didn't seem to be present here, with only pockets of the crowd seeming to know the ATTACK! performers. A lot of the multi-man stuff didn't hit home for me either, with the usually creative promotion falling back on a number of multi man tropes, that beyond the bowling sequence, felt a little tired. The most obvious example being everyone getting involved in a vertical suplex melee that seemed to take an age to set up, as the competitors joined in one by one. The fact that the resulting suplex (or at least the half involved the Anti-Fun Police) ended up looking woeful didn't help the situation. I was also dissapointing to see absolutely nothing made of the brutal attack from x Nothing to Prove x on Dunne at ATTACK!'s Failure's Not Flattering (Where's The Passion?) in Bristol less than a week earlier, as seeing as this was supposed to be a joint show you would've expected the two teams to have at least hinted at what had gone down there. 


El Phantasmo def. Adam Brooks



El Phantasmo made the most of his first singles match in FCP with a victory over the debuting Adam Brooks in a good showcase for the Canadian and Australian. For some reason (I'll blame the freezing temperature once more), I decided to write three whole notes on this one, but that says more about this reviewer than it does about the match. Battling with a crowd that had just came back from one of the longest intervals in professional wrestling history, Phantasmo and Brooks worked hard to draw the audience in, with Phantasmo able to garner a decent amount of crowd support in the end, thanks to a fiery comeback that complimented the strong heel/face dynamic that was present throughout the bout. The series of suicide dives from Phantasmo was the highlight, alongside his always impressive rope-walk hurricanrana. This was the first time I've found myself fully on board with Phantasmo, after only seeing him in multi-man bouts to this point and it was his performance when fighting from underneath that made this match what it was. I've heard good things about Brookes from performances elsewhere in the country and whilst I'm not sure we got him at his best in Wolverhampton, there was just enough here to see his potential and hopefully he's back in FCP later this year.


Shay Purser stunnered Joel Allen and Matt Richards 



Because the main event had ended with popular babyface Millie McKenzie taking a beating from Jinny, the show closed with referee Shay Purser coming out to the ring, once again to Glass Shatters by Disturbed, before stunnering fellow ref Joel Allen and ring announcer Matt Richards. Why not? 


ATPW Scale Rating // 6.69/10




Written by James Marston // @IAmNotAlanDale



Thursday, 30 November 2017

Infinity 2017 Tournament Preview


Whilst I'm not ready for it to be the final Fight Club: PRO show of 2017, I am super pumped for the 2017 edition of the Infinity tournament. FCP has been riding a wave of momentum in 2017, moving to a bigger warehouse and consistently putting on sick af shows, in front of one of the best audiences in the UK. So as they look to end the year with a bang, they present us with their signature singles tournament, that has been running since 2011. With a brand new format for 2017, replacing two four-way elimination semi-finals and a singles match final, we have four singles match semi-finals and a four-way elimination final. Simple enough and allows for more action across the card and hopefully wider storytelling potential come the main event. Previously the tournament has been won by a list of names that are synonymous with the brand. Current WWE United Kingdom Champion Pete Dunne, Trent Seven, Travis Banks, Chris Brookes, MK McKinnan and Clint Margera have all walked out with the trophy in years gone by, but who could possibly follow in their foot steps? Although the line-ups are yet to be announced, we know who our eight competitors will be, so lets take a look.


Kay Lee Ray




The current WCPW Women's Champion made her FCP debut last October and has quickly cemented herself as a regular member of the roster. Her high-flying daredevil style has made her a favourite in ICW and Southside, including capturing the ICW Women's Championship and only last week winning the Queen of the Ring tournament with consecutive wins over Toni Storm, Lana Austin and Kasey Owens. However, she is three matches without a win in FCP and is also yet to have an intergender one on one match in the promotion, which could put her at a disadvantage depending on the first round draw. Converting her undoubted tournament credentials into the very different environment of the Infinity Tournament will be the Scot's key to victory on Friday.


Travis Banks





Where to begin with Travis Banks in FCP?! He turned up in February 2016 and rocked our respective worlds. Killer matches with the likes of Zack Sabre Jr., Sami Callihan and Tyler Bate lit up shows in the Planet and Fixxion and Banks' losing streak angle became one of the hottest stories in British wrestling by the end of 2016. That culminated in the dramatic victory at last year's Infinity tournament, as he defeated Trent Seven in a ridiculous final, before winning the title from Pete Dunne four months later. Since then Banks has exploded all over the country and beyond, doing bits for PWG, PROGRESS and wXw. His tournament acumen has grown, winning Super Strong Style 16 and reaching the semi-finals of the Battle of Los Angeles in what has been an incredible year for the Kiwi Buzzsaw. His crisp offence and hard strikes, ability to draw an audience deep into a match and a never say die fire make him a perennial favourite, but could Banks be the first ever two time winner of Infinity?  

Jordan Devlin 




*Cheesiest line of the article alert*...The fans may make fun of Jordan Devlin's perceived massive fucking head, but there's also no questioning that Devlin has massive fucking potential. The OTT star has impressed repeatedly in FCP with sleeper outings with Travis Banks and David Starr, whilst also showing multi-man acumen by winning his debut six way scramble in May and a three way in July. The sole Irish participant in the competition started strong winning three of his first four matches in FCP, but his fortunes since then have been less favourable with three defeats on the bounce, meaning his momentum heading into Infinity isn't what it would've been had the tournament in the summer. Devlin is capable of putting on great matches with a vicious, technical style, but has a lot to prove in Wolverhampton this Friday. Will that translate into a big victory? We'll have to wait and see.


Dan Moloney





Of all the competitors in the tournament, Dan Moloney has been in FCP the longest by quite some way, making his first appearance way back in February 2013. Since then Moloney has gone from strength to strength, developing a penchant for turning on tag team partners, as Tyler Bate found out in 2014. A split from Facesmashers partner Wild Boar in September last year (after a fantastic feud with The Hunter Brothers) would see Moloney really come into his own, not just going undefeated in one on one action (a run that actually went back to December 2014) and defeating the likes of Mark Andrews, Fire Ant and Andrew Everett along the way, but also improving almost every element of his game, all whilst the crowd revelled in the fact he was wearing short boots. A feud with Barely Legal (Shay Purser & "Session Moth" Martina) has derailed Moloney slightly, including the loss of his undefeated streak, but that could also mean we see even more violence out of the WWE UK competitor. 


Mark Davis





One of FCP's newest regulars, Mark Davis has found most of his UK success tagging with Kyle Fletcher as Aussie Open. Title wins in ATTACK and HOPE  have seen the duo rise up the British tag ranks at record pace, having only tagged for the first time in July. Whilst the two have impressed with their all-action tag team style, they actually had their first match in FCP against each other, when the two tore the (Wrestle)house down in June. Unfortunately for the Aussie, that was his last and only win in FCP as despite the wild and entertaining natures of Aussie Open's tag matches they've fallen to Moustache Mountain, OI4K and the Callous Hearts. Davis has also dropped a couple of multi-man contests. Davis' participation guarantees those in attendance some marvellous action, but whether he's able to break his duck and pull out a victory is another kettle of fish.


Omari




Having begun to impress in Birmingham-based Kamikaze Pro against the likes of Pete Dunne, Tyler Bate and David Starr, Omari made his FCP debut last October with a dark match win over TK Cooper and has made FCP his home in 2017. After coming up short in last year's tournament in a four way including the much more experienced trio of Trent Seven, Mikey Whiplash and Joe Coffey, Omari continued to develop and garner crowd support throughout 2017, transitioning out of opening (and often dark) match multi-mans with fellow up and comers to marquee matches with Pete Dunne, Shane Strickland and Travis Banks. Most notable though was Omari's spectacular victory over former ROH star Keith Lee in July. The victory got an electric reaction from the Wolverhampton crowd and showed that on his day Omari can hang with just about anyone on the indy circuit. Whilst he's three without a win since, there's every chance that the Big O could pull off another incredible upset on Friday night. He'll have the swell of the crowd support and the reaction to an Omari win may well surpass the atmosphere that was present after his victory over Lee.

Kyle Fletcher




The other half of Aussie Open, Kyle Fletcher has to be considered the tournaments underdog, with no singles match victories in FCP. In fact, his only win came in a trios match, teaming with Omari and Millie McKenzie against now partner Mark Davis, Shane Strickland and Fire Ant in August. Aussie Open have had success elsewhere, but in Fight Club: Pro things haven't been as easy and that narrative translates to Fletcher's solo performances also. One of the most entertaining performers on the roster, with a fast-paced, highflying style, the Aussie Arrow is often the show-stealing performer wherever he goes, but can he pull one out the bag and steal the Infinity trophy? 

Millie McKenzie 




The tournament wild card is Millie McKenzie, having only made her debut in June in a losing effort to Kay Lee Ray. As an FCP trained performer, McKenzie has a massive connection with the FCP faithful, as fans attempt to jump on the hype train early for the 17 year old. An impressive weekend at September's Project Mayhem with a shock win over Jessica Havok and Kay Lee Ray in a three way and a powerful performance in a seven way contest that featured the likes of David Starr, Mark Haskins and Jordan Devlin and was eventually won by three time Open the Dream Gate Champion CIMA propelled her further into the collective consciousness of the BritWres community, with many making her their one to watch for 2018. We may still be in 2017, but with McKenzie's tenacity and brutal suplexes, it would be a fool who wrote off from a potential upset. 

The tournament is perhaps one of the most open for quite some time, with a number of potential winners amongst the pack. There's a tonne of stories that could be told with any one of the competitors winning or anyone of the competitors going out early or having a run through the final etc. I'm looking forward to seeing how FCP go about this, as they look to set the tone for the company going forward into next year.



The show will also feature appearances from former ROH World Champions Low Ki and Homicide, former CHIKARA Grand Champion Eddie Kingston and the current Fight Club: PRO Champion Chris Brookes (supposedly with broken CCK partner Kid Lykos in tow). What these four will be up to has yet to be announced, but it's FCP it'll be fucking brilliant whatever happens. If it sounds like your bag, there's still tickets available at fightclubpro.bigcartel.com

Preview by James Marston (@IAmNotAlanDale)



Sunday, 1 October 2017

A Conversation with "Session Moth" Martina


ATPW recently got the chance to talk with "Session Moth" Martina (recorded 14th September 2017), this is that talk/conversation/interview. We talked about seeing red at NORTH, the appeal of Over the Top Wrestling, breaking into fresh markets, the wonder that is Fight Club: Pro and so much more. Let's get on with it, here it is, enjoy.

ATPW: I wanted to start by asking how you were following that match at NORTH? [Martina was busted open during a match at NORTH on 9th September]

Martina: Oh I'm fine! It looked a lot worse than it was, which is a good thing, in a way. I just did a dive, the footage should be up soon enough. I'm pretty sure NORTH put out their matches for free, they just put it up on YouTube. I just smacked heads with "Flash" Morgan Webster and instantly I saw blood and I thought it was him. I felt the bang obviously, but I was like "Are you okay?", then I realised it was me. It was very scary for a minute, because it wasn't a little bit of blood, it just started gushing. I checked my teeth and I checked my nose and I had so much blood in my eye at this point that I thought maybe I burst an eyeball or something. Once I blinked it out, I was like "Okay, I don't know what it is, but I can keep going". So we just kept going. People were handing me clothes and once it was out of my eyes and I knew I could see and I remembered everything and I was good to go. So, I carried on. It was a shock more than anything else, seeing that much blood, but once I knew I was okay, it was actually quite fun to work with and to power through. I'm very lucky at the same time, because it could have been crucial. 

ATPW: I suppose, that as long as you're okay, then it sort of adds something to the match...

SMM: Yeah, as it went along and we were doing brawls in the crowd, I could hear the crowd being like "Oh my God, she's a trooper!". I know it's very scary as well, being a female, in the ring, in the main event with three boys. It'd be more shocking to the crowd seeing a girl bleed. Regardless of gender, it's shocking to the crowd when they see blood, but I think being the girl in the match, they were probably like "Oh my God!", because everyone's a little more sympathetic towards women.

ATPW: We see don't blood that much these days, anyway. Especially, women, that's really rare. Then even more so because it was an intergender match...

SMM: Yeah, I remember, the promoter, instantly, before he knew it was all okay, he got worried about that. He was like "Oh no, is this okay?". But once it was fine, in a way, it gained me a lot of respect on Twitter and stuff like that and the crowd went home ridiculously happy and they were like "Oh my God, that was brilliant" and we ended up having a really good match and I was happy with it. 


Credit - The Ropes Photography

ATPW: Let's start the interview proper with wrestling interview question #1, which is...How did you get into professional wrestling and what made you fan? 

SMM: I'd always been a fan, since I was young. Me and my brothers used to watch wrestling growing up and around the time when everyone one lost interest or everyone fell out of love with WWF/WWE, I didn't. I was the only one in my circle that still liked it, but you know, life moved on and I did new things and hung around new people. Then I got a little bit older, I was out with my friends one time and something came up, when we were all out drinking and I was like "Do you remember Stone Cold? The Rock? Chris Jericho?" and we just ended up talking about a load of WWF memories. When I got home I went on YouTube and just started looking up all the old stuff and I was like "Oh my God, this is great!" and then fell into a loop of it and ended up becoming obsessed with it all over again.

The obsession just got bigger and then eventually, I never thought I would do it, because I was a lot bigger back then, I was a big girl, but I just loved wrestling, I looked up something about Irish wrestling and saw that there was a school that did it. I thought "Ah that's cool", so I looked it up on Facebook and I thought I'd love to that one day and put it to the back of my head. Then I met the guy who ran the school, by chance, because my next door neighbour was friends with him. So, we ended up meeting and I said to him one night "I'd love to do it, but I wouldn't have the balls to do it". The next day I had a message from him, saying "I set up a class for you, come down and give it a go" and I was like "Ah no, I won't be able to do it" but then I just said "Ah fuck it, I'll give it a go". Then I got in the ring and I did the few little bits and I was probably absolutely terrible, but I said "Okay, I actually like this". That was about seven years ago.

ATPW: So when you began wrestling as Kazza G, mostly in Ireland, what was the scene like back then in 2011/12? 

SMM: Compared to now it was dead. There wasn't much going on. When I first started training my training school had just started running shows and I was their ring announcer on the first few shows. Eventually, they said "Okay, you're ready to wrestle, we're gonna put you in a battle royale" and there was no other girls training at this point so I was in there with the guys from the get go. Once I debuted it just sort of took of. I remember another promotion that did smaller shows, but they were all around Ireland, they used to travel all the time, because there was so few women, he booked me for every show! So from the start I was wrestling every weekend, because of that place and my home training school shows. They got better as it went along, it was still the one big show in Dublin once a month and then we do these smaller shows around the country. But it was the same, it was very old, camp style, boo-yay kind of wrestling, but it was great experience for getting me comfortable in front of a crowd. I wasn't doing anything to the degree I do now, I was either a basic heel or a basic face, but it was great to have that amount of experience in front of a crowd and get comfortable, wrestling all the time and improving in-ring. But, looking at the scene then compared to now, it's insane to see the difference, but I think that's the same for British wrestling and Irish wrestling all the same, all sorts of indepdent wrestling has just exploded over the last few years.



ATPW: Over the Top Wrestling (OTT) started in 2014 and you were on the very first show...

SMM: Yeah, I was Kazza on that show. I'd done a fair bit now as Kazza. I'd wrestling in Switzerland and I'd won a belt in Belgium and I'd wrestled for every promotion in Ireland, so it wasn't a case of where I didn't do anything before Martina. I did a lot and I got a lot of respect in Ireland and obviously winning a belt in Belgium was a big deal and even flying over to a different country from Ireland was very rare. I definitely had experience under my belt before OTT began.

I wrestled the first show as Kazza G. The first show did have such a special air to it and everybody knew that something special was happening here. I kinda just knew straight off "wrestling as Kazza isn't gonna do it", because we had such eccentric characters on the show. The Wards were the main guys, who were a stable of characters, then we had the Lads from the Flats, who were a stable of characters. So I was in Germany for the second show, so I wasn't on that, so then I came back and I was there for the next one but I wasn't on it. I was like "Nah, gotta do something different, something's gotta change". So I was like "I'll go with the Lads from the Flats", because they were like "They need a girl with them". So I said to myself "I'm gonna need to be like a townie girl" because who would the Lads from the Flats hang out with and I thought "A Session Moth is such a popular term in Ireland right now" because a Session Moth is pretty much a townie girl. They go to clubs, they drink, they just want to party, they're real common and just want to have fun. That's all the care about. So then I thought "What would a Session Moth wear? She'd wear pajamas!" They're the ones that go, hungover the next morning, they go to the shop in their pajamas. So then I got leopard print pajamas, because leopard prints so tacky! I was like "I'll wear hoop earrings and I'll come out with the Lads from the Flats and we'll have a rave and we'll just drink and we'll do this". That was the beginning of the character and as time went on I just kept adding things to it and started to get to know Martina and fell in love with everything about her, because it was just so much fun to do. The comedy wrestling aspect just made me fall in love with wrestling all over again, because I was going out there and making a fool of myself and having so much fun.



ATPW: What do you think has made OTT stand out as a promotion in Ireland? Because it was probably the first Irish promotion that came on my radar, as a fan in England. 



SMM: I dunno. I think it's obviously I think everyone looked over at Ireland and they didn't see much, because there wasn't any "adult shows", lets say, because it was all kids shows. If you ever saw any photos or film, growing up, it was kids in the crowd. Then OTT began and it was geared towards adults, it was Over 18s and people drink at it and it was such adult content, like myself and Lads for the Flats and stuff like that. We didn't have any British wrestlers on our first few shows, except for Pete Dunne and Ryan Smile, they've been with us since the start. I met Pete and Ryan years ago in another promotion in Ireland, a small kids show again, so we've all known them a very long time and we've been friends for a very long time. So they were already known to us, so when they came over and obviously Pete started getting more exposure as the years went on. Pete would always go back home and say "There's this great place in Ireland called OTT" and he loved it there because he was so over and got his job done so well. As time went on it just became word of mouth and then social media and then obviously we started booking more British wrestlers and our production values started increasing...it was kinda the same way any of the big promotions got to be big promotions, people just started catching on and saying "Oh wow, look at that".



I think what makes OTT stand out to all the other British promotions, even now is our character content is very original and our comedy aspect are very original. There's a mix of characters, you'll have your comedy, you'll have you highflying matches, you'll have your big man matches, there's literally something for everyone. We always like to do different thing and I like to think you'll see matches in OTT that you won't see anywhere else. 

ATPW: Yeah I've seen a lot of interesting and different stuff from OTT, mainly on YouTube and social media. I think that's the stuff that catches peoples attention and goes on to catch even more attention...

SMM: Yeah, I remember a show last year, it was the show that Will Ospreay debuted on, but we had the characters from Father Ted on the show and they were involved in the same match that I was in. So it just became this big thing and the video went viral around Ireland, because everyone was like "Oh my God, it's Father Ted in wrestling!". So I was asked to be on the national TV station for it, along with the promoter, so that was really good exposure for us and obviously Will loved it, so then Will started talking about it and telling people about it and again with Pete. It had all these great aspects with and it did really boom from then on. 

ATPW: So from OTT, you started coming to the UK in 2016, initially with PCW, how was that initial experience? 

SMM: Yeah that was my first UK booking, which was quite huge at the time, because I remember people saying "Will the UK get the gimmick? Will they understand it, because it's so Irish?" And that was my fear with it and as well I wouldn't say I would know Martina as well as I do now. I wouldn't even have wrestled as much as I do now. Oh my God, I can't even remember when it was. I didn't have much more since then, but towards the end of the year last year I started getting more exposure and then before I knew it, I had to leave a job. I've been booked in the UK, I think it's been two weekends this year that I haven't wrestled, which is insane, because looking at my life last year where I was working for OTT once a month and that was it because all them kids shows had stopped. There wasn't anything happening, so it was literally just OTT. So I was wrestling once a month last year and I was looking at all my British friends I'd made, who were wrestling every weekend and I got really jealous and I was like "That's what I want! That's what I want!". Then last year just kind of boomed and I've been so lucky this year.


ATPW: You talked a little bit there about a worry that the gimmick might not have translated when you came over the UK. In December, you're working in Canada, do you have similar kind of feelings about that? (This has since been cancelled after the company turned out to be a bag of shite)

SMM: I always worried about that. I worried about that wrestling in mainland Europe as well, but then I wrestled in Germany and it got ridiculously over and I'm debuting for wXw at the end of the month and I've got a fair few dates with them for the rest of the year. I think, maybe my spoken comedy may not translate for a lot of them, but I think people just get it, when they see me drinking beer and they see me dancing, I think regardless of what it is you can understand it. I think I've toned it, to where...because I have a lot of followers from Canada and America and even Japan, that have really gotten on board with it and seem to love it. So I guess it's just going over and make the best showing that I can. 

ATPW: Have you ever had a situation where you've gone out and the crowd has gone for it? 

SMM: No, I think the majority of places that I've been have really, really taken to it, which I'm very lucky to say. There, of course, might be the case were you do one joke and it might not get the reaction you hoped it would, but usually you can cover it up pretty well, so that's fine. I've always gotten a very, very good reception. I think one of the hardest places I've worked, because I know they have mixed feelings is ICW. My character is always you love or you hate me and they're always very strong on either side of that. Which is fine and I perfectly accept that, because it is such a strong gimmick, that you can't be indecisive about it, you either like it or you don't. I mainly find it from Scotland people, "I'm not really a fan", but it's very rare that I get that, so I'm lucky. 

ATPW: I think with ICW there's very much a case of "shades of grey" with how the crowd react to things...

SMM: I always think that they're very much in favour of homegrown talent and I think that was it. I did notice, because I've been there for most of the year, as time went on they were warming to me the more they saw of me. So it definitely did get better towards the last few of them, but at the start it was difficult, because I think they weren't decided on if they wanted just plain wrestling or if they wanted a character. I think overtime they've started to grow to like the character. Especially because I like to give Martina a lot of backstory and it's not black and white, there's a lot to it. I'll always be like "Oh no, this is about Martina, this is what Martina would do, she's mad like this. This time she's going to approach it with her drinking, this time she's going to approach it with her sex, this time she's going to do it because she's angry" I like to think that there's a lot to her. 

Credit - Jamie Spaul

ATPW: It sounds like you spend a lot of time thinking about what your character would do in each situation? 

SMM: In every situation. Say it's a title match, I'm not gonna be full of jokes this time or I might be at the start but by the end of it, maybe you've pissed me off and maybe I'm gonna kill ya for it! I look so much into Martina, if you ever see me on Twitter that's why I'm always saying I've got so many kids and the number keeps changing and that's just a joke I play, even for myself, but people seem to love it and people seem to jump on it. That's the whole thing, I like to pretend I'm this mother to a million kids and I don't know any of the Dads, so it's like I'm trying to make a living, so that's what I'm doing! It just makes it a lot more fun it you actually have something when you actually have something, when you're going out there and changing into a different person. Maybe I'm fighting this girl because she's pissed me off or she's slagged what I'm wearing and I'm thinking "Bitch, I'm wearing better than you!" 

ATPW: I wanted to talk a little bit about a promotion that I got to a lot, Fight Club: PRO...

SMM: Oh my favourite! It is my absolute home from home. OTT is my home, of course and it's my all-time favourite, but Fight Club in the UK is my home from home, I adore that place. I look forward to it every month. 

ATPW: I think on your first show, when you came in and went to bar, there was a sense "What's going on here?" and then it's just sort of snowballed into a story with Shay and all sorts of stuff...

SMM: I think it was a case of I was very friendly with everyone in Fight Club and I knew they really liked my character and I know Fight Club didn't really do comedy before I came along and that's one thing they always said to me. Once I did get out there and actually did start having matches, they were like "We really like the dynamic that you're bringing to the table", because they have their insane dream matches all the time, sometimes it can be nice to just get out there and the crowd just have a laugh. They have great women talent when they come in, but the great thing about Fight Club is they only book the best, they're not just going to throw away a match. It's always going to top notch, when you're going and I think they really liked the idea that I could get in there and it's the place where...at the London show, it was such a mad scramble where it had the UK Champion and a Session Moth and Jack Sexsmith and Eddie Dennis and Jordan Devlin, the big head, thirsty to prove himself and Millie McKenzie and Charlie Evans, just all of us in the same match and everyones just looking around and thinking "What? This is such a clash of different people, what the hell is this?". I never thought I'd be in the same ring as the WWE UK Champion, we're two different sides of a card, but it happened and it was so much, it was one of the funnest matches that I've ever had, because it was just so ridiculous, but there was so much wrestling and there was so many moves and there was so many comedy spots. It was just the perfect snowball of a match and I loved it! 

Credit - The Ringside Perspective

ATPW: I was gutted I missed that weekend, I think it was the first FCP show I'd missed in a couple of years...

SMM: My match with Dan Moloney, that was another different side to me there. I went in laughing and joking, but by the end of the match he'd been beating me up so I was angry and Shay was angry. So that showed even a little bit of a different side, it's the evolution of the character. 

ATPW: It's certainly a different kind of story to what FCP had been telling previously. 

SMM: It's all based around the fact that nobody had noticed that Dan Moloney was undefeated in Fight Club and he'd never been pinned, but it's all coming around.

ATPW: If someone hadn't seen your work, what would show them to win them over to the Session Moth?

SMM: Oh wow. I'd probably show them my promos to start off with. I'd show them my highlights video at the start, that's just different clips of me doing moves and dancing to my entrance song. That kind of gives a jist about what I'm about, all over. I like my promos that I've done, I remember my very first promo. It's so long ago now, but I just pretended I'd got my pay from the social and I was going out to buy my kids food, but I ended up going out and partying all over town instead. I liked the last promo I did for ICW, for my hen night, where I just had a mad night out, with the lads. Because what else would you do on a hen? Another one where I was hitch hiking to ICW. My favourite one as well, after ICW's fanpage blew saying I'd set women's wrestling back five years, I did a promo addressing and it was called "Public Service Announcement by Session Moth Martina" and I just did a short public service announcement outside a courtroom. That was fun.

Match-wise, I really enjoyed my PROGRESS debut match with Dahlia Black, and TK Cooper ringside. I just think that was a great mix, it was just fun. The story was that I was trying to steal Dahlia's fella, because that's what I do and it just gave me the perfect opportunity to tell that story. Because yeah, I'm gonna steal her fella and she's gonna hate me for it and that's why she's beating me up and I just want him and she's not gonna get in the way of that. I really like that match, the crowd were fantastic. I love mine and Shay's "Fans Bring the Alcohol" match, I thought that was just so much fun. It was just mad. That's what I love. I'd also show that eight person scramble. Then a million ones from OTT, where you could just show my wrestling matches. I love my ones with Alex Windsor, I love my ScrapperMania matches.

Credit - Rob Brazier Photography

Yeah, there's loads, there's always different stories to tell. That's one thing I really like, that I can flip the penny. Another thing I really like is that everytime I have a match, I try to do something different, something a little bit out there, something unseen and something that you wouldn't expect. One thing I've started doing recently is calling myself a hardcore wrestling, but only having sweet fights. I'm just beating people up with sweets because it makes no sense and that's what I'm about! I just like to have fun and do something that you won't see anywhere else, you won't see another woman do it, that's for sure, you probably won't even see a man do it.

ATPW: Let's talk about goals, short term, what would you like to do? Then long time, what would like to do in the next five or ten years?

SMM: Well, in five or ten years I probably shouldn't be wrestling any more! I suppose, my goal this time last year was to get booked in the UK and I've done that. Then I had a list of promotions that ideally, before I was booked anywhere, where I was like "I want to get here" and I've debuted for every single one of them, which is such an honour. I'd love to get to somewhere outside of Europe and I'm meant to be going to Canada, I might have some other stuff in the pipeline coming up. It's pretty surreal sitting there and literally seeing your dreams come true. Little things that you've set for yourself, it's very overwhelming. It's crazy, really, because I never ever thought it would happened so far. I guess coming to end of this year, I just want to keep it going. I always want to stay at Fight Club, that would just be the place that I always want to go every month. If I've got them every month and OTT, then I'd be happy, but of course, I just want to keep wrestling, I want to continue to be someone recognisable on the scene and liked on the scene and requested to be around. To stay in demand, I guess, would be the main thing for now. Long term, I've definitely got goals and as I say some of them are coming true, which is surreal and you'll see as it unfolds. Just stay relevant is my main thing, just stay relevant and don't be boring. That's why I do everything in my power not to be boring.

ATPW: I think if there's one word someone wouldn't use to describe Martina it would be boring! To close, where can people find you online and anything else you'd like to add?

@Mothfromdaflats on Twitter. Session Moth Martina on Instagram and the Facebook like page. Buy my merch. Just keep an eye out and hopefully I'll see you on a show, just dance with me when I ask you to dance with me and bring me beer! That's all I ask.




---

Well, that was a lot of fun! Seriously, I had a blast recording this and I hope that comes across. I feel like we only scratched the surface with Martina in this interview and hopefully we'll get the chance to chat again later down the line. A big thanks to Martina for taking the time out to do this!

Article by James Marston 










Saturday, 17 June 2017

FCP DTTI Hangover (Live) Review


On 19th May, Fight Club: Pro found itself a new home at Starworks Warehouse in Wolverhampton and hosted the aftermath of their epic Dream Tag Team Invitational Easter weekender. The show featured a Six Man Scramble with Angelico, Jimmy Havoc, Jordan Devlin, Eddie Dennis, Dan Moloney and Clint Margera, the DTTI winners #CCK (Chris Brookes & Kid Lykos) facing off with the debuting Scarlet & Graves (Dezmond Xavier & Zachary Wentz) and The Hunter Brothers (Lee & Jim) and Travis Banks defending the FCP Championship against Trent Seven, as well as appearances from Kay Lee Ray, Joe Coffey, "The Regulator" Wolfgang, Kris Wolf and "Session Moth" Martina...but was it any good? Let's take a look, shall we? 


Pre-Show
Omari def. Dallaway, Johnny T & Fletcher 





These multi-man trainee "dark" matches had become a bit of a tradition towards the end of FCP's run at Fixxion, so it was nice to see them return for the Starworks show. These usually short and pacy matches work quite nicely at whetting the appetite for some a more substantial graps feast to come, like a nice soup with a crusty cob or whatever your starter of choice is...prawn cocktail, whatever. The first half of the bout was 1i1o type stuff, with a number of big strikes that left Omari with a bright red chest, then into the obligatory dive sequence, before a double german suplex spot was aided with an Omari enziguiri. For me, the best action on offer came when Kyle Fletcher and Omari went at it, putting together hard-hitting slick strike sequence as well cool spot with The Big O slingshotting to the inside and straight into a Fletcher superkick. Overall, the timing could have been better at points, but nothing that had a major effect and with this technically being a trainee dark match those kind of things are to be expected as the four being to iron out their creases. As with any starter this was a nice lead in for what was to come, without ever threatening to fully satisfy the hunger.   


Wolfgang def. Coffey 




The opener of the show proper was an interesting choice, as Wolfgang and Joe Coffey met in their most Southern match to date. Originally, Coffey and Wolfgang were scheduled to take part in a six man match, but Wolfie cut a quick promo and we had an all Scottish affair to kick things off in Wolverhampton. Now, I've thought about how to review this match more than probably any other match on the card, because in the moment, I just didn't get it. Not that I felt I'd seen a bad match, but one that just hadn't grabbed me in the way I perhaps expected it to do. Being the conscientious reviewer that I am and knowing that I'd enjoyed both guys on previous occasions, I thought I'd ask some of my wrassle pals what they thought and almost every single one of them seemed to have a higher opinion of the bout than I did.  I wouldn't say anyone raved about it, but they enjoyed the big lads battle, Marc Pearson noted the psychology in particular, but I still wasn't buying into it. 


I'm not sure why I did...not enjoy isn't the right phrase, because there was some lovely stuff and a few spots that I'll always pop for (Coffey's triple jump crossbody)...so perhaps the best term is fully appreciate. I'm not sure why I didn't fully appreciate this match. I've purposefully not gone back and watched it since, because I wanted to give my feelings on it from being there in the space and how it affected me. Perhaps it was the new venue, which is much more spacious than Fixxion and it took some getting used to the new atmosphere. Perhaps it was the ring breaking early on, when it looked like one of the board came at the very least loose on a bodyslam, which threw me a little off. Perhaps it was coming off a four man into a singles match that I expected to be a six man did something to me. I'm not sure. Looking back on my notes, it reads like a decent opener with some big spots like Coffey's running jump over the barricade and mid-rope moonsault from Wolfgang, before Wolfie picked up his first FCP after blocking a superplex and nailing The Howling. I'm looking forward to rewatching this and hopefully reappraising in the future, as well as getting to see how both fit into Starworks plans going forward. 


KLR def. Wolf





Kay Lee Ray's first FCP singles win against the debuting Kris Wolf from Stardom was a fun bout whilst it lasted but I came away a little disappointed. There was absolutely nothing wrong with this bout and I had a ball of a time watching it, but there just wasn't enough of it. After a technical start, the two had some jokes revolving around the height differential (KLR is 5' 8'' and Wolf just 4' 10'') including a surprise appearance from Viper to even the odds, we had KLR replying to Wolf biting her arm, by biting Wolf's tail and the two looking to use the new FCP set-up as much as possible. Kay Lee jumped off the barricade with a forearm and then Wolf used the new entrance way as a set off monkey bars, initially thrusting out for a kick and then transitioning into hurricanrana onto the floor. Creative stuff on the outside with the exploration of the new venue being a bit of theme for the whole show. 

Once the action returned to the ring I was expecting business to pick up. We'd seen flashes throughout the match with some fast paced roped running stuff and a cool succession of near falls, but by this point I was chomping at the bit to see Wolf and KLR hit top gear and by the bouts conclusion I don't think we got anywhere close to seeing what the pair could have done together. A couple of near falls for each, KLR off a Gory bomb and a wheelbarrow suplex for Wolf and it seemed like the bout was heading towards it's crescendo and then Kay Lee slapped on a koji clutch and that was that. I'm not quite sure what I was expecting, perhaps some more firey exchanges, perhaps a gear change, perhaps some cool submission escapes and just a general build up of aggression towards a conclusion, but I certainly wasn't expecting Wolf to tap so quickly. I'm hoping we get a rematch between the two, depending on how long Wolf spends in the country, because a second match building on the stellar work done here would take away my needy complaints. I want more, dammit.    

#CCK def. Scarlet & Graves and Hunter Brothers 





With Mark Andrews off the card, The Hunter Brothers joined #CCK's Chris Brookes and Kid Lykos and the debuting Rockstar Pro regular's Scarlet & Graves' Dezmond Xavier and Zachary Wentz in a superb three way tag team match as the first half main event. I both hate and love #CCK, sometimes at the same time. I don't know when it happened but Brookes & Lykos have developed into one of the slickest tag team acts in the world. Ever little detail they've added over the past year or so, after branching out from Attack! into FCP, IPW:UK, Southside and elsewhere, Brookes spitting and chucking water at lads, Lykos never shutting up and never being able to hit a brainbuster and also those sicking fucking tag moves, those little details make them so easy to hate, but so entertaining to watch at the same time. When the best boys controlled, first Wentz and then Jim Hunter, they held the crowd in just the right place for the madness that was about to come our way. 

Christ, once the momentum swung towards the Tipton and Ohio connection, as Jim tagged in Xavier things became a balls to the wall sprint, with a shed load of highspots and more sicking fucking tag moves than you could shake a shitty stick at. Dives to the outside from all four of our heroes, big strikes, the Hunters swinging into dropkick, the sweet gory blockbuster that CCK do and that's not even the half of it, as Scarlet & Graves also won over a number of new fans with their high energy offence. My notes on this match got gradually less descriptive as the bout went on, to the point where my final bullet point was "Finish is a series of ridiculous things seemingly all happening simultaneously. It is fucking marvellous". If that's not a good enough description for you, go and watch the match and come back and tell me I didn't get it spot on.  

Devlin def. Angelico, Havoc, Dennis, Moloney and Margera 




OTT's Jordan Devlin picked up a big win on his FCP debut in an eclectic six man scramble, that showcased a real mixed bag of performers and went all over the building. With a variety of different styles, movesets and personas, this was never going to be boring, especially with the crowd so intent on trying to get the attention of Dan Moloney. The mach started with a series of strikes, before the six men worked a lovely sequence where Devlin and Moloney thwarted dive attempts from Angelico and Eddie Dennis, before Jimmy Havoc and Clint Margera got the better of the villain, hit stereo suicide dives and Dennis and Angelico went up and over to the floor. It was a structurally simple opening, but non the less it was effective, with the initial denial of the fan favourite flips meaning they meant a whole lot more when we got them, and more, shortly after. 

Then, of course, there was the crowd brawling. Boy was there some crowd brawling. Starworks is much larger than Fixxion so it seemed like everyone decided to make the most of the extra space. The enjoyment of this kind of stuff usually depends on where you happen to situated in the room and how much you can actually see and with most of the action happening towards the bar area at the far end of the room and me sitting front row towards the entrance way, I didn't manage to catch a whole lot of this. There certainly was some brawling, in different combinations. With six men in the match it would've been cool to have seen them split off into pairs and head into different sections of the crowd, so there was something different for each area to focus their attentions on, but unfortunately the bulk seemed to occur in the large space at the far end of the room. There was a great spot with Devlin reversing a Havoc piledriver into a backbody drop on the bar, which caused an odd series of hanging lightbulbs to swing about, as well as a sequence of back and forth forearms with the six sat opposite each other, however. 

Once back in the ring, the match produced its best action with some interesting combinations battling it out. Dennis cleaned house with forearms out of various situations, Margera and Moloney put together a good section together, Margera took an acid rainmaker as Havoc shouted "I'm sorry, I love you" for a nice pop and Dennis took out both the Callous Hearts with a Fallaway Slam/Samoan drop combination, a solid mixture of sleek sequences, back and forth wrestling, comedic near falls and multi-man spots. I would've liked to have seen a few more highspots making the most of the sheer numbers involved in the match, but that nitpicking didn't make this any less enjoyable. The finish saw each man consecutively taken out of contention with the aforementioned combination move from Dennis keeping Margera and Havoc down, before Moloney removed Dennis from the equation with a sitout fireman's carry facebuster, Angelico took out Moloney with a turnbuckle crucifix powerbomb, leading into a wicked Devlin package piledriver that gave the WWE UK competitor a surprising debut victory. 


Purser def. Martina in a Fans Bring the Alcohol Match 






I'm still trying to come to terms with the Fans Bring the Alcohol match and to be honest with you, I don't think that I ever will completely. Referee Shay Purser's first FCP show since turning 18 saw him facing off with notorious boozehound and potential sexual deviant Martina with the fans supplying the alcohol, because it would've been weird if they'd bought their own booze with them. Most of my notes on this bout were single words, written in all caps, for example..."CHRIST". There was drinking, there was singing, there was referee Joel Allen wearing a bin bag, there was a pissed up version of an international, there was bronco busters for anyone who wanted one and it all felt like some kind of glorious dream. The kind of dream that you awake from with a start, slightly confused and questioning everything you once knew to be true. This probably wasn't a match for all, I'm not even sure if it was for me, but it certainly was an experience I won't forget in a hurry. 
  
JOEL DRIED THE RING. WELL DONE JOEL!


Banks def. Seven to retain FCP Championship 




Trent Seven and Travis Banks had been to war with each other before in FCP. Back at Rise Against in March 2016 when a frustrated came out with the victory in only Banks' second match in the promotion, before nine months Trav picked up his first singles win in FCP in a thrilling conclusion to the Infinity tournament. This match took a slightly different angle, as whilst Trent had become the default heel back in December due to the sheer investment the Fixxion crowd had in Banks' losing streak story, there was no mistaking that Seven was the villain here as the challenger cheap shotted the champion out of a handshake and we were off to the races. These two lads are two of the hardest hitters currently residing on our island and holy balls on a typewriter did they hit each other hard here. Strong style kicks and forearms and chops, brawling out into the crowd and doing a wonderful version of the spot where Seven misses a chop using the trussing for the lighting rig, when Seven and Banks face off you know you're going to get something physical, the kind of wrestling that makes you wince in a weird pleasure you're not quite sure how to deal with. 

Once the early brawling was done with, the two found the kitchen sink and through that at each other as well (obviously metaphorically, just in case you were wondering). The two went back and forth hitting big high impact moves, including a series of german suplexes one after the other, a dragon suplex, a seven star lariat and a burning hammer from Seven, a springboard roundhouse kick, a ringpost crotching and double stomp from Banks. Each move looked great, hit with ferocity and intent and that's not even the half of it. The proceedings seemed to get sillier and the reactions got louder as the match went on with each near fall seeming more improbable than the last. Banks kicked out a piledriver, Seven kicked out of a ridiculous coast to coast and then the champ kicked out of an avalanche piledriver, because why the fuck not? The best (or worst, if you're a miserable old bellend) part is that that wasn't even the daftest part of the match. Oh no, as we learned that Travis is pretty much indestructible as he took his third piledriver of the match and bounced back to his feet and the crowd went apeshit, before taking another dragon suplex and no selling the fuck out of that bad boy as well. A roundhouse kick and Kiwi Crusher later and Banks was still our Fight Club: Pro Champion after a thrilling 20 minutes of international strong style professional wrestling. I could watch Travis Banks v Trent Seven every day for the rest of my life and twice on Sundays and never get bored. Each of their matches in FCP has had it's own flavour, using different stories and situations to drive them, but always include great striking, crisp and dynamic big moves, some wonderful facial expression and terrific, awe-inspiring near falls. 


Finally...

ATPW Scale Rating - 6.88/10



A very good debut show at Starworks for Fight Club: Pro and whilst I'm not completely sold on the new venue just yet, I am still sold on the wrestling content. Was the show on the same level as the Dream Tag Team Invitational weekend? No, but it didn't particularly need to be. I think the show took a while to find it's stride, but once the first half main event had blown me away with #CCK, Scarlet & Graves & The Hunter Brothers, the show didn't look back with a wonderfully varied second half, that concluded with main event owning the match of the night spot as Travis Banks and Trent Seven did what they do best. I can't wait to see what FCP has in store for us as we had into the summer, especially when Pete Dunne and Tyler Bate are available and there's not a chance I'm missing a single show.

Photo Credit - The Ringside Perspective.